Captured in the backdrop of a fiery Amazonian sunset, these resort gowns, adorned with signature 3-D tribal sculptures and precious metals, embolden all women to their warrior-like nature. These fluid poncho pieces featured in white iridescent voile and sculpted crepe usher in the show’s subtlety.
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This vignette juxtaposes a formal tuxedo jacket over a flared bridal-like train along with column-style gowns displaying a modern minimalist look all in gazar.
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It feels sincerely severe and formal until the plunging necklines and high slits break up the androgynous theme: 3-D art bevel sleeves, chest, and ears.
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The following coffee brown vignette features ruffles enveloping the models like voluminous flower petals, again a delicate drama. Cut copper mirrors and crystals ornament an organza and jersey gown.
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The scene pivots to harem-like gowns as models are draped in layers of gathered crepe and chiffons in coffee and emerald tones. Both fluid and architectural structures are juxtaposed in one.
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Glorious brocade lame jumpsuits, glistening metal-like feather coats, and gold shimmering laser cut gowns bring bright lights and shine onto the runway, shifting the atmosphere.
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Modern asymmetrical details mimic cacoons and pay homage to geometry and art. Large gold pebbles and gold satin fringes are applied to these tunic dresses.
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Hooded liquid gowns in pearl and gold offer water-like movement as they forerun a finale of abundance – a tribal tribute to a goddess, a bride fit to be queen in a floor-length gold cape gown with 3-D sculptures—a breathtaking theatrical close for Stephane Rolland.